So Long, Phil Guy; So Long, Little Arthur

Oh, Lord, it has been a week of losses. Phil guy died at the age of 68 after his battle with prostate cancer. He was a kind, generous musician; deserving of far more recognition than he received. As Buddy Guy's brother, he faced the challenge of overcoming a close relative's fame. Phil was always pleasant to wannabe musicians like me. This is a recent picture of Phil, from the Chicago Blues Fest last June

I knew that Little Arthur was at death's door. Her had a seizure from a brain tumor in April and hasn't left the hospital since then. He was totally authentic and I had the honor of hanging out with him once in a while. The picture above is from the 2004 Chicago Blues Fest, backstage after Little Arthur's set and before my band's set. A very sweet guy...Here is what Bob Corritore had to say about him in his blues newsletter.

RIP Little Arthur Duncan 2/5/1934-8/20/2008: It is with great sadness that we report yet another passing in this terrible week of losses to our blues community. Chicago harmonica ace Little Arthur Duncan passed away Wednesday morning, August 20, 2008 at Kindred Hospital in Northlake, IL. He was 74. He had been incapacitated for months with little hope of recovery. Born February 5, 1934 in Indianola, Mississippi, Arthur moved to Chicago at age 16, where he heard and befriended Little Walter, who inspired him to take up the harmonica. While holding down a construction day job, he began performing around Chicago with John Brim, Floyd Jones, and Hip Lankchan. He would later own and operate the Artesia Lounge on Lake Street, which moved to West Madison Street and reopened as Backscratcher's Social Club. Owning a club gave Arthur a regular place to perform, and he became a popular neighborhood attraction on the West Side. Twist Turner produced some of Arthur's first recordings, which appeared first on cassette and then on Cannonball Records' Blues Across America series. As Arthur's stature grew in Chicago, he recorded more, cutting two beautiful CDs for Delmark (Singin' With The Sun and Live At Rosa's Blues Lounge), and one forRandom Chance (Live In Chicago). He was a simply great vocalist, with tremendous power and expressiveness; and his sparse harmonica was always on the money. He specialized in third position and chromatic harmonica. His final band included Illinois Slim, Rick Kreher,and Twist Turner. He had a warm and gracious personality, and his passing leaves a huge hole in the Chicago blues scene, as he was one of a handful of the dwindling old school harmonica masters. We will miss you, Arthur.

Two Great Guitarists Cross Over - Too Soon

Obsessive obituary readers (like me) often notice that some deaths seem connected. Of course, this isn't true - unless your talking about folks who die with a bunch of people in an auto wreck or something. But the news today was quite eerie - Hiram Bullock and Joe Beck both died in the past week.

Hiram Bullock was an amazing player and a flamboyant individual. He was a very adaptable musician, but his music came from the pop/rock/funk side. He was best known for playing in the original band for "Late Night with David Letterman" (On Monday night, Letterman did a special tribute to Hiram). It is a shame that he is gone -- Hiram was only 52. Here is a link to his obituary in the New York Times.

Last week, Joe Beck died. He was almost 63 years old - still young . Like Hiram, Joe could play with everyone, but his music came from the jazz side. He collaborated with a wide range of artists - from Miles Davis to Frank Sinatra to James Brown. Here is a link to Joe's obituary from his hometown newspaper.

Hiram and Joe both played with David Sanborn (the great jazz fusion alto saxophonist). They also both collaborated with Gil Evans, the great jazz composer and arranger. These two fanatastic guitarists moved in the same circles, and left the scene together.

Yeah, its a coincidence, but still eerie.

Dragonfly Swarm

When the weather is decent, I take my exercise early in the morning, riding my Cannondale bike along the Evanston lakefront. The bike path winds north along the eastern edge of the Northwestern University campus. Many years ago, NU created a greenspace by filling in a bit of Lake Michigan and creating a small penninsula. Since this "lakefill" juts out into the water, its environment differs from the "natural" lake front. There are lots of gnats and midges, seagulls and mosquitoes. As I was riding one recent morning, I looked around and realized that I was in the middle of a dragonfly swarm! It was eerie - the morning sun sparkled on their wings and you could hear them humming. I didn't realize the these bugs swarmed; here is a chunk of info I found when I sniffed around the web:

Several species of dragonfly are known to collect in large swarms. In most cases this appears to be due to very favorable feeding conditions in the area. It may also be a "courting" group with males actively searching for females. This is less likely as males are much more aggressive to each other when looking for a mate.

Some dragonflies gather in swarms before moving to a new area (like a bird migration). The reasons for this are unclear but may be due to population pressures. There are records from the US of migratory swarms.

For some reason, being in a dragonfly swarm was uplifting.........

A Weekend of Gigs

As I rode my bicycle at dawn along Lake Michigan this morning, I was reflecting on the fine musical weekend that just passed. The Mystery Band was a pure blues unit on Friday and was a jazz/blues hybrid on Saturday. We had two musicians that played their first gig with the group over the weekend, and they handled the challenge well.

On Friday, I had the honor of playing with the great Felix Reyes, also known as "Uncle Fe." This was his first gig with the Mystery Band. Felix hails from Dallas and now lives in Chicago, but he spent quite a bit of time in Atlanta. His first band, in Texas, was called the "Weebads" (fabulous name!!). In Atlanta, his band, Felix and the Cats was a very important pillar of the Atlanta blues community. The Cats played B.B. Kings birthday party in the mid-90's and also played at the Atlanta Olympics. Mr. Reyes was also instrumental in the development of several young blues players, most notably the young guitar phenom, Sean Costello who recently died before reaching his 29th birthday. Felix and Sean are pictured together at the top of this post. Felix moved to Chicago several years ago and he is a fantastic guitarist, songwriter and vocalist (he wrote tunes for Susan Tedeschi and currently does music production work for the Oprah Winfrey Show and independent films). This cat is very heavy, and he just killed on Friday. The other members of the Mystery Band on Friday were all top Chicago blues veterans - Harlan Terson on bass, Tom Crivellone on guitar, and Aaron Almon on drums. These aren't my regular bandsmen, but the group sounded tight and we were having lots of fun.

The Friday night gig at Bill's Blues started slow, but turned into a frenetic dance party when a large group of folks came in at around 10:30 p.m. They had just left a wedding reception and were is a party mood (many had consumed a number of adult beverages prior to their arrival at Bill's). We had women down on the ground kicking up their legs and flashing their scanties to various interested observers. It was a very fine night for the Mystery Band.

On Saturday, a different Mystery Band assembled at Duke's Bar in Chicago's Rogers Park neighborhood. Duke's is a classic Chicago tavern with a small side room that contains a tiny stage and P.A. system. The Mystery Band plays there regularly (for the giggles, not the money). On Saturday, the Mystery Band consisted of Mike Finnerty and the Heat Merchants, with Mr. G up front on harmonica and vocals. Mike Finnerty is one of the tenor sax giants of Chicago; his band consists of Andy Meacham on guitar, Adam Kraus on upright bass and "Street Beat Pete" Castranova on drums (this was Pete's first gig with the Mystery Band). The Heat Merchants are not completely familiar with the various blues grooves typically explored by the Mystery Band, but the typical Mystery Band is not generally familiar with the changes to "Body & Soul." It was an interesting gig. We played blues, jazz and country tunes. We had some great moments and some not-so-great moments. Duke's Bar lets patrons bring their dogs into the joint, so we had two canines wandering around as we played.

These Mystery Band shows are always great evenings, full of stories and odd moments. They are times to be treasured.

Blues Life

Here is a beautiful picture of Howlin' Wolf with Jody Williams, Hubert Sumlin and Earl Phillips. This was one of the finest blues groups ever, no doubt. I always found Jody Williams' life story to be very interesting - he was in the blues life, and he bailed out. After getting "sampled" (but not paid) by various artists, and after getting snookered out of some songwriting credits by his old bandmate, Bo Diddley, Mr. Williams turned his back on music. He stuck his Gibson guitar under his bed and went off to study electronics. Jody did radio and television repair work, and later got a gig as a technical engineer for Xerox. He was with the copier company for 25 years until he retired. It was after he retired that he eventually decided to start playing again - he emerged in 2000. Jody probably did a good thing for his physical and mental health by leaving the blues life. Let me tell you another story.....

I have had the pleasure of playing with many fine blues people over the past 4+ years since I kicked off the Mystery Band. One of the men I have come to know is an especially talented musician. He has it all - technique, a huge musical vocabulary (blues, R&B, funk, jazz, country) and he still loves to play after over 4 decades of mileage. My friend is a deep well of musical wisdom and creativity. He also is struggling with health problems, relationship problems and acute money problems. This man is in a rough situation. He is neck-deep in the blues.

So check out this chain of events: (1) My friend's car develops problems; it is stalling unpredictably and he is nervous about driving to gigs. (2) The mechanic that looks at his car tells him "you need at least $800 worth of work." Lacking the bread, my friend reclaims his car. (3) An argument with his intoxicated significant other leads to a scene and she busts the windshield of the car. Now it can't be driven at all. (4) Unable to drive to gigs, my friend's cashflow declines - not much dough available to repair the car. (5) After tapping friends for a loan, my friend gets his car partially repaired. (6) My friend parks the car in his usual spot in a lot in his very tough Chicago neighborhood. The car gets towed. (7) After paying a large fine to re-claim the car, my friend parks it on the street in his neighborhood. Within three hours of parking it, the car is stolen. He is forced to cancel his gigs for the coming weekend.

This is the type of negative loop that will bring a strong man to his knees. Sympathetic friends can help somewhat, but that source is finite. The blues life is a total bitch.

Light a candle for all the working musicians out there. As Eddy Clearwater likes to say, it is a hard way to make an easy living.

Good-Bye George Carlin

I always loved this guy, since I was a high school kid. Here are some of his quotes, which I found on-line today:

"The weather forecast for tonight: dark. Continued dark overnight, with widely scattered light by morning. ... What we have here is a Canadian low, which is not to be confused with a Mexican high."

"If crime fighters fight crime, and fire fighters fight fire, what do freedom fighters fight? "

"If lawyers are disbarred and clergymen defrocked, doesn't it follow that electricians can be delighted, musicians denoted?"

"I'm completely in favor of the separation of Church and State. My idea is that these two institutions screw us up enough on their own, so both of them together is certain death."

"If the No. 2 pencil is the most popular, why is it still No. 2?"

"One tequila, two tequila, three tequila, floor."

"If a parsley farmer is sued, can they garnish his wages?""If the 'black box' flight recorder is never damaged during a plane crash, why isn't the whole airplane made out of that stuff?"

"Whose cruel idea was it for the word 'lisp' to have an 'S' in it?""Why is there an expiration date on sour cream?"

"If one synchronized swimmer drowns, do the rest drown, too?"

"One nice thing about egotists: They don't talk about other people."

"If the police arrest a mime, do they tell him he has the right to remain silent?"

"What if there were no hypothetical questions?"

"Atheism is a non-prophet organization."

" 'I am' is reportedly the shortest sentence in the English language. Could it be that 'I do' is the longest sentence?"

"The word bipartisan usually means some larger-than-usual deception is being carried out."

"Dusting is a good example of the futility of trying to put things right. As soon as you dust, the fact of your next dusting has already been established."

"Have you ever noticed that anybody driving slower than you is an idiot, and anyone going faster than you is a maniac?"

"I was thinking about how people seem to read the Bible a whole lot more as they get older; then it dawned on me — they're cramming for their final exam."

"If it's true that our species is alone in the universe, then I'd have to say the universe aimed rather low and settled for very little."

"Most people work just hard enough not to get fired and get paid just enough money not to quit."

"Some people see things that are and ask, Why? Some people dream of things that never were and ask, Why not? Some people have to go to work and don't have time for all that."

"When you're born you get a ticket to the freak show. When you're born in America, you get a front row seat."

And here is my all-time favorite:

"The most unfair thing about life is the way it ends. I mean, life is tough. It takes up a lot of your time. What do you get at the end of it? A Death! What's that, a bonus? I think the life cycle is all backward. You should die first, get it out of the way. Then you live in an old-age home. You get kicked out when you're too young, you get a gold watch, you go to work. You work 40 years until you're young enough to enjoy your retirement. You do drugs, alcohol; you party; you get ready for high school. You go to grade school; you become a kid; you play; you have no responsibilities. You become a little baby; you go back into the womb; you spend your last nine months floating ... and you finish off as an orgasm."

Thank you, George.

Blues Day Festival - July 12. Congress Theater

I received this message from Tyler Wilton. It sounds like he and Fernando Jones have organized a terrific event that will benefit a good cause. It is coming up on July 12. Fernando Jones is a terrific talent - one of the new generation of bluesmen (it isn't a large group, sad to say). Fernando is also a respected blues educator, received a "Keeping the Blues Alive" award from the Blues Foundation for his teaching activities. The artists booked at Tyler and Fernando's festival are top-knotch. Fruteland Jackson is a friend of mine and is keeping the acoustic blues tradition alive - he always puts on a great show. Two of Chicago's finest female blues singers will perform - Nellie "Tiger" Travis and Jackie Scott. Jose Cornier plays some smokin' guitar with a Latin groove. Coco Elysses is a fine jazz vocalist and percussionist who frequently appears at Fred Anderson's Velvet Lounge. And Lonnie Brooks is a GIANT! It will be a great day and evening of music.

Here is Tyler's message:

I wanted to let you know about a one-day blues festival my friend and I are putting on at the Congress Theater (Blues Day Festival). It is on July 12th and it is for a good cause. It is an event for the whole family and part of the proceeds will be donated to Blues Kids of America and the Koko Taylor Foundation. Doors open at 9:00am where a blues clinic for kids will begin. Kids will learn how to play the blues on various instruments. The music starts at roughly 3:45pm with the Columbia College Blues Ensemble. There will be 9 other acts throughout the evening and Lonnie Brooks will be the headline act ending at 11:00pm.

http://www.bluesdayfestival.com/

Thanks,
Tyler Wilton

A True Story of Blues Competition

I heard this story from a musician friend of mine. I am not including anyone's name because that wouldn't add anything to the tale, and besides - this is an unverified story. But it rings true to anyone that has worked the hyper-competitive blues scene in Chicago...

There is a fine young guitarist in Chicago - let's call him "Young Buck." Young Buck has been playing since he was a teenager, and has been a sideman for many of the blues greats, both in Chicago and in touring bands. Young Buck can truly play and he sings pretty well. He is ambitious, and has his own band - let's call them "the Buckaroos."

Now Young Buck was supporting a great, elder statesman of the blues - we will call him "Old Vet." Old Vet had been on the scene for decades and never quite achieved break-out, star status. He was heading in that direction though. He started playing some of the better rooms in Chicago (including Buddy Guy's Legends) and he got some dates in Europe. Things were looking up for Old Vet.

So Old Vet got 2-week tour in Europe, but he was going to be backed by local European musicians - he had to leave Young Buck and the rest of the band back in Chicago. Young Buck noticed that Old Vet seemed to have a double booking - he was scheduled to play in Germany on a Saturday night when he was also scheduled to play at Legends. Young Buck saw an opening.....

Buck called the booking manager at the club. "Hey, Vet is going to miss his date - he will still be in Europe." "That's strange," said the booking manager. "Vet told me he would be back in time." "Well," said Buck," I double checked the schedule and he is double booked. But don't worry, I'll take the gig with my band, the Buckaroos." The booking manager agreed to this since he had a hole in his schedule.

Buck then got on the telephone and called the other sidemen in Vet's band. "Hey, Vet's double booked and I am taking the gig at Legends. My band is going to play it. Sorry - your services won't be required." This did not please the other guys in Vet's band. No, sir.

So my friend (who was a member of Vet's band) placed an international call to Vet. "Old Vet, do you know you are double booked - in Germany and at Legends, same night?" "No I am not - that is an old schedule. I cut the tour short so I would be back in time to make the gig," said old Vet. "Hmmm," said my friend. "Buck called the club and told them you wouldn't be there and he has taken the date for the Buckaroos." "The FUCK you say," said Old Vet with a chuckle. "Well, tell the guys to get to Legends early with a substitute guitar player. We will give Buck a little schoolin'."

And so Vet and the band were on stage, ready to go, when Young Buck and the Buckaroos rolled into Legends for the gig. Buck was caught, deer in the headlights. Vet said, "I been all over this town playin' for 45 years and nobody, NOBODY, steals my gigs, Buck. Oh, and you're fired. Please leave the club quietly and quickly." Young Buck stammered a bit, then left. The Buckaroos all quit his band that night.

This is a small piece of the drama that happens in Chicago's blues community. In truth, there are too many musicians chasing too few gigs. This can cause bad behavior....

Review of Chicago Blues Festival - Walkin' Around, June 7

I was busy this week, so I missed the Thursday and Friday performances at the 25th Chicago Blues Festival. I did make it there on Saturday, and walked about, checking out a few acts. The rain fell at about 4:45, so I left (I had a gig Saturday night and had to leave anyway). It rained again on Sunday, so I wussed out and stayed home. Shame on me. I caught some interesting stuff on Saturday, though.

The Juke Joint Duo - Cedric Burnside and Lightnin' Malcolm: Malcolm and Cedric are pictured at the top of this post. These guys ripped up the fest on the Mississippi Juke Joint Stage. They are, indeed, from Mississippi, and Cedric is the grandson of the great R.L. Burnside. These are young cats, doing that awesome drone-style North Mississippi blues made popular by the Fat Possum Records crew. Their "special sauce" was unison vocals - an eerie, keening sound that really worked well with the beats laid down by Cedric and the riffs pounded out by Malcolm. They had some intense energy, very much a hip-hop vibe. Thumbs up for these two!

Steve Arvey - Mr. Arvey is my friend and he is a fantastic guitarist. He was playing an acoustic set at the Maxwell Street Corner stage. Steve has left Chicago now; he spends most of his time in Florida where he says there is quite a bit of work for blues musicians. His set at Blues Fest was relaxed and quite interesting; I got the feeling that he had not played frequently with this group of back-up musicians. The set had a bit of a jam session feel to it (not that there is anything wrong with that). An interesting participant in the set was a blues harmonica player from Spain, Quique Gómez. Quique is a nice young man who has solid Chicago blues harp chops. The name of his band in Madrid is "Juan Bourbon, Juan Scotch, Juan Beer" HA! I love it.

Bumblebee Bob: Bumblebee Bob Novak is one of the Chicago blues guys that never got the attention he deserved. His music was stripped down, raw Chicago blues in the tradition of Hound Dog Taylor. A fine harmonica player, guitarist and vocalist, he is known for his work with the Chicago Slim Blues Band and his own group, Bumblebee Bob and the Stingers. Bob also played with pianists Sunnyland Slim and Erwin Helfer. He was the son of Russian immigrants and fell in love with the blues on Maxwell Street; he got into it before the "white college kid crowd" (Butterfield, Bloomfield, et al). Bob is also a fabulous painter (grad of the School of the Art Institute of Chicago, 1958) and has had many one-man shows at high-end galleries. - he also designed the Chicago Blues Fest posters for many years. I was really looking forward to seeing Bob, but it was not to be - he fell ill before the fest and was in intensive care, not doing very well. His band carried on, and my friend Tom Albanese played harp and sang a few tunes in Bob's absence. It was very entertaining, but sad. Bumblebee Bob is 75 years old now....looks like he is reaching the end of his road. Tough year for harp players - Little Arthur Duncan is struggling after brain surgery, now Bob is struggling, too. Say a prayer, people.

I saw some other acts, notably part of Otis Taylor's "Recapturing the Banjo" set. But these three acts took up most of my short visit.

It is always great to hit the Chicago Blues Festival - the fans are really into the music and there is great respect for the musicians. Too bad the folks in Chicago don't always give these great blues players the props they deserve during the rest of the year...

Bo Diddley - Another Giant Leaves Us

The news hit a couple of hours ago - Bo Diddley (aka Ellis McDaniel, aka Ellas Bates) has passed at the age of 79. I have been a huge fan of this gentleman - first tripped out on him about 36 years ago. His impact on contemporary music was massive. Some of his hits will live forever in the world of American pop music -- "I'm a Man," "Who do You Love?","You Can't Judge a Book by Looking at the Cover" and "I Can Tell." I have swiped a few of his licks and his fabulous "Bo Diddley" rhythm for one of the songs I wrote. The bass player in my band, E.G. McDaniel, is Bo's cousin. This caused me to feel connected to Bo Diddley (yeah, I know that is a stretch...). Bo had the cool square guitar, the freaky tremolo tone, the aggressive vocals...and I always loved the maracas in his tunes - awesome touch. Jerome Green shook the maracas for Bo (there is another unsung hero of blues and rock - Jerome Green). Bo was not a guy doing the Same Old Blues Shit.

I knew Bo was sick - heard about the stroke he had in Iowa. I had heard that his rehab was going well, but I guess his heart just gave out. He had diabetes for many years.

Bo was a giant; hugely inventive. His sound was instantly recognizable and broke new ground. Countless rock and blues artists covered him or imitated him. And he didn't make anywhere near the money that he deserved...

Update

My daughter was released from the hospital today - the antibiotics finally did their work and she is definitely on the mend now. Whew! My thanks to those of you who expressed your concern via comments, emails and telephone calls.

Now I can get back to work.....

Knocked Sideways

My sweet 12-year old daughter has been in the hospital since last Saturday. She was suffering with a kidney infection - fever, back pain, nausea, etc. Since she couldn't keep antibiotic meds in her stomach, we were forced to check her in. After a day in the hospital, she developed pneumonia, so she is fighting two serious infections. My baby has been on IV antibiotics and hydration fluids since 6:00 AM Saturday morning; she finally improved enough to be disconnected from the IV this afternoon. So I have been in the hospital room, along with my wife and 16-year old daughter, since Saturday. We have been knocked sideways, ass over tea kettle. Attending to my daughter is the top priority and takes all of the available time.

All my major projects at work are on hold. The Mystery Band CD is on hold - I cancelled my studio sessions so I could be available in the hospital. My wife has not left my girl's hospital room, so I am looking after my elder daughter ( who isn't the most independent teenager in the world). I am beat and still worried.

Sorry, no music content today. Family trumps music.

The Squeeze

Here in the Chicago area, gas prices are very high - between $3.99 and $4.19/gallon. Of course, the pump price seems to bump up a few cents almost every day as oil trades ever higher due to intense worldwide demand, tight supplies, a weak U.S. dollar and rampant speculation. If these prices hold or continue to increase, the level of waste and inefficiency in the U.S. economy will decrease over the long haul - people are already cutting back on unecessary travel, using mass transit more often and buying smaller, higher MPG cars. So in the long run, this spike in prices will lead to innovation and a reduction in our dependence on fossil fuels. But in the short run, there is pain. For example, one of the trips people don't seem to be making is the drive to local blues clubs in the Chicago area.

The Mystery Band played at the famous Harlem Avenue Lounge in Berwyn last Saturday. We had a great band, and we even had decent promotion for a change - the Chicago Sun Times wrote a positive blurb on the show in the weekend section last Friday. Despite this effort, the show was sparsely attended. OK - it was raining - but I think gas prices are having a negative impact on nightlife. Most blues fans are members of the middle class, and they are now flinching over the cost of a night out - gas is the biggest issue, along with higher prices for food, drinks and almost everything - and they opt to stay in with a DVD and a meal from Pizza Hut.

I felt bad that we didn't draw - our last show at the Harlem was pretty full - and it hurts in the pocketbook for both the band and the club owner.

But hey - the Mystery Band rocked out anyway. It doesn't matter if we have 10 people or 10,000 people - we are going to burn as hot as we can.

A Story To Feel Good About...

The gentleman pictured above is Phillipe Quint, a rising young classical violin star. He left the Soviet Union in 1991 and is now a U.S. citizen (Yay!). The dashing Mr. Quint had a brain cramp on April 21 and left his $4 Million Stradivarius violin in a taxicab that took him from the Newark Airport to his crib in Manhattan. D'oh!! The driver, Mr. Mohammed Khalil, got the instrument back to Mr. Quint. The violoinist was quite pleased, so he threw a free concert for the guys at the cab stand at the Newark Airport. Here is the article on the event from today's New York Times...

May 7, 2008
Cabdriver Thanked for Returning a Stradivarius
By RICHARD G. JONES

NEWARK — The violinist stood on a makeshift stage between two lampposts crowned with a patina of bird droppings, under a weathered vinyl canopy hastily erected outside Newark Liberty International Airport in the taxicab holding area. The audience watched him in awe, about 50 drivers in three rows, their yellow cabs a few feet behind, some lined up neatly, others askew.

As Philippe Quint spent half an hour playing five selections, the cabbies clapped and whistled. They danced in the aisles, hips gyrating like tipsy belly dancers. “Magic fingers, magic fingers,” one called out. Another grabbed the hand of Mr. Quint’s publicist and did what looked like a merengue across the front of the “stage.”

Afterward, the virtuoso was mobbed by drivers seeking his autograph on dollar bills, napkins and cab receipts.

“It was so pleasing to see people dancing — that never happens,” said Mr. Quint, 34, a Grammy-nominated classical violinist. “These people, they work so hard, I doubt they get a chance to get out to Carnegie Hall or Lincoln Center.”

So Mr. Quint took Carnegie Hall to them, in a miniconcert that was his way of expressing a simple sentiment: Thank you.

On April 21, Mr. Quint accidentally left a Stradivarius violin, valued at $4 million, in the back seat of a cab that he took from the airport to Manhattan on his return from a performance in Dallas. After several frantic hours, the Newark police told him the violin had been found and was at the airport taxi stand with the cabdriver who had taken him home. The two connected, and the violin was returned.

“Anybody out here would have done the same thing,” said the driver, Mohammed Khalil, waving a hand at his laughing, dancing colleagues.

The city of Newark awarded Mr. Khalil, who has driven a taxi here since 1985, a Medallion, its highest honor. Mr. Quint gave him a $100 tip when the violin was returned, but he wanted to do more, so he arranged for Tuesday’s concert in a parking-lot-turned-theater.

Clad in black, with his dark hair falling over his closed eyes, Mr. Quint dazzled the crowd with a theme from the movie “The Red Violin”; Gershwin’s “It Ain’t Necessarily So”; a Paganini Variation; and the Meditation from Massenet’s opera “Thaïs.” Joined by his friend Michael Bacon, a guitarist (and the brother of the actor Kevin Bacon), Mr. Quint played a piece they had composed, “Seduction Blues.”

On the horizon, there was the blocky spire that was the air traffic control tower. Every now and then a seagull would alight on one of the trailers where the cabbies play dominoes during their wait for fares. Occasionally, a silhouetted plane would glide by overhead, providing a rumbling accompaniment to the music.

But despite the setting — or maybe because of it — Mr. Quint’s audience seemed particularly moved by his gesture.

“I like that he came here,” Ebenezer Sarpeh, 46, said, in the accent of his native Ghana. “And, yeah, the music, I like it.”

It was Mr. Sarpeh who burst into spontaneous applause on several occasions and started yelling “magic fingers” during one particularly deft moment. Later, he took a turn in front of the stage and his fellow cabdrivers laughed and cheered while he shimmied and moonwalked, the Newark Taxi Cab Association’s answer to Justin Timberlake.

Like many of the cabdrivers in attendance, Mr. Sarpeh said it was the first recital by a classical violinist that he had ever attended. A few confessed that they had little more than a passing familiarity with such music. But they were proud to surround Mr. Khalil, who sat front row center in a black suit with a pink shirt and matching tie.

“If one cabby does something good, we feel like we all do something good,” said Patrick Cosmeus, 43, who has been driving for a decade and seemed a little sheepish as he admitted that he had seldom found anything more valuable than a forgotten cellphone in his taxi. “But everything we find, we always return it,” he added.

“Everything we find is valuable to someone,” Mr. Khalil pointed out. “If you lost your pen, you would think it was valuable.”

The violin that Mr. Quint left behind, which had been lent by two benefactors, was still being inspected for any problems from its journey, so he played the Tuesday program on a Guarneri.
Afterward, Mr. Quint posed for photographs with Mr. Khalil, whom he has also invited to a September concert at Weill Recital Hall at Carnegie Hall. As he signed autographs, he retold the story of his lost violin and its triumphant return.

“He saw how distressed I was,” Mr. Quint said of Mr. Khalil. “He just gave it back to me and he noticed I was in no condition to go home by myself. So he said, ‘Why don’t I give you a ride home?’ I said, ‘No, no, it’s OK, I’ll take a bus, I’ll take another taxi. He said, ‘No, I’m happy to give you a ride back, because you’re my last customer.’”

As he had planned for months, Mr. Khalil retired from driving a cab the day he took Mr. Quint home.

Don't you feel a little better about the world after reading this story?

The First Job

I am lucky to have four children, ranging in age from 12 to 26 (the boy is the oldest: the other three are girls). The two older offspring have launched into adulthood and are off the parental payroll. My next eldest daughter, Amanda, is 16 years old - a magical/terrifying year in the typical human's life. My youngest girl has just turned 12 and is gingerly navigating the choppy waters of middle school. It is the 16-year old that has had the biggest life change recently - she has taken Her First Job.

Amanda has always been fascinated by plants and nature - she loves to hike in the woods, and she can stare at flowers for a very long time without becoming bored. It seemed very sensible to follow this passion into the workplace, so she applied for and was hired as a part-time worker in a major nursery in our area. It is quite interesting to observe the changes in Amanda's perspective now that she is in the workforce - she is incensed when a co-worker slacks off, she is delighted to hang around plants all day and she is interacting easily and comfortably with many strangers (Amanda has never been an extremely outgoing person in the past, but she is when she is on the job).

Like any parent, I am proud of what she is doing at this nursery. I am also relieved - it looks like she will be able to navigate her working life successfully. It looks like she will come off the parental payroll, just like her tow older siblings. Whew.

Another Living Musician I Love - Gary Valente

As a former trombonist, the sound of a well-played sliphorn stirs my blood and causes my heart rate to increase. Gary Valente has the most intense tone of any trombonist - indeed, his raucous, growly shout is unique among all instrumentalists. His use of dynamics (from pianissimo to triple fortisimmo), the rip-roaring glissandi, the splattering stacatto attack - this guy is unique. But it isn't his technique that grabs me - it is his towering passion. Gary Valente is the only trombonist that causes me to choke up when I listen to his solos. I just don't know why I react this way, can't tell you specifically what it is that sends me over the edge.

I first heard Gary Valente on the "Carla Bley - Live" album, which was recorded in San Francisco at the Great American Music Hall ("GAMH") in 1981. The GAMH is still open; the building dates back to 1907, but the GAMH began operating in 1972 (I saw Duke Ellington at the GAMH in 1973, less than a year before he died). Gary's "star turn" on the "Carla Bley - Live" album was "The Lord is Listening to Ya, Hallelujah." This tune is a total gospel rave-up; it is on my top ten list for instrumental performances. This is a great tune for people that want to start investigating Valente's work. His other stuff with Carla Bley is also great, and Gary is on at least one of Joe Lovano's records ("Worlds," 1995). Valente is also on George Gruntz's 2006 album, "Tiger By The Tail." As far as I can tell, Gary Valente has not put out an album under his own name, which is too bad.

So check out Gary Valente - you won't be sorry.

Gone Too Soon - Sean Costello

This is from the Bob Corritore Blues Newsletter:

RIP Sean Costello 4/16/79-4/15/08: This shocking and sad news just in from Steve Hecht of Piedmont Talent: Blues singer/guitarist Sean Costello was found today dead in his hotel room in Atlanta, Georgia. He would have been 29 tomorrow. Cause of death is not known at present but details will posted on the Piedmont Talent website as they are revealed. Sean had recently released his fourth CD, We Can Get Together on the Delta Groove Record Label, and was a featured guitarist on the acclaimed new Nappy Brown CD Long Time Coming on Blind Pig Records. A handsome young man with amazing guitar ability, a fine voice, and a strong sense of carrying forward the tradition of the blues, Sean was a rising star with a brilliant career in front of him. In a world where we sorrowfully watch so many elder statesman of the blues pass, the loss this youthful bright light is especially hard to take. Rest in peace, Sean.

This is a shocking loss - too soon, Sean, too soon.

Little Arthur Duncan is Sick

This doesn't sound good - 75-year old Little Arthur Duncan, the "real deal" harp blower and blues shouter, was rushed to the University of Illinois hospital over the weekend for emergency brain surgery. He is in intensive care, apparently conscious and somewhat responsive. According to Twist Turner (Arthur's drummer for the past 30 years), he had a golf ball-sized tumor in his brain.

I am a long-time admirer of this man. I hung out with him whenever I had the opportunity (see photo above). A wonderful fellow and one of Chicago's greatest blues performers. We are praying for his recovery...

Good Bye, Michael "Blue Stew" Miller

I lurk on "Blues-L," a list-serve devoted to blues music and blues people. One of the most prolific posters was a gentleman that went by the handle of "Blew Stew," which was the name of his band. Michael Miller had a wicked sense of humor and lots of interesting insights. He died a week ago; the word went out on the list and the members were pretty stunned - he was only 56 and no one knew about his health struggles. So we Blue-L members (aka 'Zellers) are coping with cyber-grief. Mike Miller was one of those musicians that worked hard, had serious talent, but did not gain wide fame - which is, of course, the lot of most musicians.

Here is Mike's obit, posted on his website.

Michael Paul Miller, lead guitarist, singer, and songwriter for Blue Stew, passed away at his home on April 8, 2008 at the age of 56 years.

Mike graduated from Oxnard High School in 1970 and began touring across the US performing in various bands. While at a gig in Minnesota he met his future wife Julie and moved back to California to start a more stable lifestyle. He graduated from the Guitar Institute of Technology in Hollywood in 1981 with the goal of becoming a studio musician, but as he had difficulty reading sheet music this goal never came to fruition. Instead he continued with bands and eventually joined Blue Stew. In 1983 he married Julie and they had one son, Justin.

Blue Stew became a key focus for Mike and allowed him to write and play numerous songs in his 14 years with the band. Mike and the band originally enjoyed local success before getting recognition further afield, with the last recognition winning the Santa Barbara IBC and traveling to Memphis to compete in the 2008 International Blues Challenge Final.

Mike's life and musical inspiration came from many sources, but his struggle with living with Tourette's Syndrome, which is a genetic disease that manifests itself by vocal and motor tics, severe headaches, A.D.D., and severe depression, was a key factor in many of his songs and lyrics. Mike kept his struggles with Tourette's Syndrome private, but spent many hours on the internet helping other families deal with the disease. The Tourette's made him unable to maintain a normal job, so he found his solace in drawing, songwriting, singing, and playing guitar. Besides constant writing and listening to music, he also enjoyed music trivia, watching movies, playing with his dogs, and anything that included his son Justin.

Mike believed in the power of music and the ability it had on changing people's lives, including his own. With Blue Stew he wrote numerous songs for their four albums in addition to performing. In 2002, Mike set up recording equipment in his bedroom and for months he would be alone in his room recording every instrument and every vocal on his own and the result was his very personal album, Homeward.
Mike lived for the feedback from others and just wanted to have his music heard and although to many he was a star, his depression would always make him feel less worthy. As a way to have his music spread, we would like to offer his Homeward album available for download with your donation. Your contribution will go directly to the family with a portion donated to the Tourettes Association to raise awareness of the disease. The family thanks you all for your love and support.

May our memories of Mike be an inspiration for all and may his spirit live on through his music.

Yoko Noge and Jazz Me Blues at the Velvet Lounge

I finally made it out to see Yoko Noge and her "Japanesque" Jazz Me Blues band last weekend - they had a date at the Velvet Lounge in Chicago. The Velvet Lounge is operated by the great saxophonist, Fred Anderson; he has run the joint since 1982 - it moved from its spot on S. Indiana around the corner to Cermak about a year ago. I am ashamed to admit that this was my first visit to the Velvet. Fred was at the door, collecting cover charges, last Saturday night. My jaw dropped - this would be like Charile Parker covering the door at Birdland.

The picture above is Yoko with her husband, soprano saxophonist Clark Dean. Clark didn't play with the band during the set I saw at the Velvet Lounge - Jimmy Ellis was playing alto. Mr. Ellis is up there with Fred Anderson, Sonny Rollins, Von Freeman and other senior practioners of the jazz saxophone art. He has performed with a huge range of talented people - from Nat King Cole to Sun Ra. His work with Yoko Noge last Saturday was stunning - his tone was keening and beautiful, his demeanor was joyful.

The rest of Yoko's band was equally killer. The regular bass player with my band, E.G. McDaniel, was in the rhythm section; Jimmy Burns, the blues superstar, played guitar and contributed some vocals, and Joe Junkins was on drums. Rounding out the band were some Japanese instrumentalists. Tatsu Aoki played the shamisen (the traditional Japanese 3-stringed cross between a guitar and banjo - you would recognize its sound if you heard it). It was a total hoot to hear Aoki-san jamming away on the shamisen, plinking out blues riffs. He usually plays bass in Yoko's band. There were also two taiko drummers in the band - I didn't catch their names - but they contributed much drive and flash to the music.

Yoko Noge is a unique musician. She plays piano with authority and power - not surprising since she learned her craft from the legendary Erwin Helfer. And her voice - wow! It is hard to describe. Very soulful, not "sweet" - Yoko is not a typical crooning female vocalist. At times, she reminded me of the late, great Betty Carter - adventerous, unconventional and delightful. Yoko projects a warm, kind aura - you feel better about life when you are in the same room with her

So now I am an offical Yoko Noge fan. Anyone who has not heard this great musician needs to get with the program. She plays every Monday at Andy's in Chicago. Go see her!