Back when I was fronting the Mystery Band, I walked into Duke's Bar in Chicago's Rogers Park neighborhood, hoping to get a gig. I met Neil Lifton, who had taken over Duke's around 2004 or so. Neil turned a true skanky dive bar into a marvelous neighborhood music tavern. He was a passionate roots music fan and a passable guitarist. Neil and his wife, Mary, became pillars of the east Rogers park neighborhood and had a lot to do with the revival of the Morse Avenue/Glenwood Avenue music/arts district. The Mystery Band played Duke's many times until I shut the band down in 2010.Monday, January 09, 2012
Starting the Year with a Loss - RIP Neil Lifton
Back when I was fronting the Mystery Band, I walked into Duke's Bar in Chicago's Rogers Park neighborhood, hoping to get a gig. I met Neil Lifton, who had taken over Duke's around 2004 or so. Neil turned a true skanky dive bar into a marvelous neighborhood music tavern. He was a passionate roots music fan and a passable guitarist. Neil and his wife, Mary, became pillars of the east Rogers park neighborhood and had a lot to do with the revival of the Morse Avenue/Glenwood Avenue music/arts district. The Mystery Band played Duke's many times until I shut the band down in 2010.Wednesday, December 07, 2011
Pearl Harbor Day - Some thoughts that I received today
"Reflections on Pearl Harbor " by Admiral Chester Nimitz
(This is a true story: Day in American History)
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1941- At 7:55 local time in Hawaii, “a date that will leave in infamy,” nearly 200 Japanese aircraft attacked Pearl Harbor, Hawaii, long considered the US “Gibraltar of the Pacific.” The raid, which lasted little more than one hour, left nearly 3,800 dead. Nearly the entire US Pacific Fleet was at anchor there and few ships escaped damage. Several were sunk or disabled, while 200 aircraft on the ground were destroyed.
The attack on Pearl Harbor brought about immediate US entry into World War II, a “Declaration of War” being requested by President Franklin D. Roosevelt, carried live on radio, and approved in a record time by the Congress, December 8, 1941, only a few hours after President Roosevelt address to a joint meeting of Congress.
December 11, Germany and Italy, in a pact with the Japanese, declared war against the United States. Misinterpreting the anti-war sentiment in the U.S., they thought we would not want to enter two separate wars, particularly with a decimated U.S. Navy and would leave Asia and Australia for Japan to conquer. They thought American's weak and without the will, particularly without the weapons to fight back.
( lower half of http://memory.loc.gov/ammem/today/dec07.html )
In reality, Former Admiral Chester Nimitz saw three of the biggest mistakes an attack force could ever make:
Sunday, December 7th, 1941--Admiral Chester Nimitz was attending a concert in Washington D.C. He was paged and told there was a phone call for him. When he answered the phone, it was President Franklin Delano Roosevelt on the phone. He told Admiral Nimitz that he (Nimitz) would now be the Commander of the Pacific Fleet.
After making plans, organizing his staff, Admiral Nimitz flew to Hawaii to assume command of the Pacific Fleet. He landed at Pearl Harbor on Christmas Eve, 1941. There was such a spirit of despair, dejection and defeat--you would have thought the Japanese had already won the war. On Christmas Day, 1941, Adm. Nimitz was given a boat tour of the destruction wrought on Pearl Harbor by the Japanese. Big sunken battleships and navy vessels cluttered the waters every where you looked.
As the tour boat returned to dock, the young helmsman of the boat asked, "Well Admiral, what do you think after seeing all this destruction?" Admiral Nimitz's reply shocked everyone within the sound of his voice. Admiral Nimitz said, "The Japanese made three of the biggest mistakes an attack force could ever make, or God was taking care of America. Which do you think it was?"
Shocked and surprised, the young helmsman asked, "What do mean by saying the Japanese made the three biggest mistakes an attack force ever made?" Nimitz explained:
Mistake number one : The Japanese attacked on Sunday morning. Nine out of every ten crewmen of those ships were ashore on leave. If those same ships had been lured to sea and been sunk--we would have lost 38,000 men instead of 3,800.
Mistake number two : When the Japanese saw all those battleships lined in a row, they got so carried away sinking those battleships, they never once bombed our dry docks opposite those ships. If they had destroyed our dry docks, we would have had to tow every one of those ships to America to be repaired. As it is now, the ships are in shallow water and can be raised. One tug can pull them over to the dry docks, and we can have them repaired and at sea by the time we could have towed them to America. And I already have crews ashore anxious to man those ships.
Mistake number three : Every drop of fuel in the Pacific theater of war is in top of the ground storage tanks five miles away over that hill. One attack plane could have strafed those tanks and destroyed our fuel supply. That's why I say the Japanese made three of the biggest mistakes an attack force could make or God was taking care of America.
Anyway you look at it--Admiral Nimitz was able to see a silver lining in a situation and circumstance where everyone else saw only despair and defeatism.Thursday, November 17, 2011
What if We Confiscated All of the Income of Those Dang Millionaires?
Saturday, October 22, 2011
Trombone Shorty and All That N.O. Funk
Saturday, October 08, 2011
Just another day in the Loop
I saw a guy collapsed on the sidewalk as I walked to the train on Thursday evening. He was bald and overweight. He fell at Monroe near Canal. I think he was dead. The paramedics were working him over but they didn’t seem like they were saving a life - they lacked that "911" urgency. I think I heard one of them say “He’s gone.” If so, RIP, stranger.
Last Thursday was also the day that the obituaries for Steve Jobs were printed. I have always thought that it is dumb to mourn for a famous person that you have never met, but I couldn't avoid it. He was the best of the Boomers.
For some reason, I was happy when Thursday ended.
Friday, September 16, 2011
Pain Can Be Funny

The old saw, "Comedy = Tragedy + time" is absoluetely true. I think of the old Monty Python routines regarding the Spanish Inquisition or the Black Plague - how horribly insensitive! Why are we laughing? Because everyone who suffered these unspeakable horrors, and all the people who knew someone who suffered them, has been dead for centuries. So we can guffaw when we watch the "Bring Out Your Dead" scene in the Holy Grail movie.
It is a lot tougher to laugh about something horrible that happened recently - like the 9/11 attacks or the Japanese tsunami. But I can imagine my great, great, great grandchildren having a jolly time making fun of the silly little messes that all of us ancients managed to get into during the olden days.
It is easier to laugh about your own pain, of course. I can laugh about my teenage angst now, but it was deadly serious and horribly tragic when I was living through it. I can laugh about all of my failures in business, but the stress of those experiences nearly killed me. I can laugh about the bones I broke when various accidents befell me (doing a header off my mountain bike, getting slammed in the ribs by a rapidly opening car door, etc.), but I don't remember finding those injuries to be funny when they happened. So the elapsed time between tragedy and comedy can be shorter if you are the sole protagonist.
I think that this weird method of coping, laughing when contemplating past nasty stuff, is part of our evolutionary adaption. Without the ability to laugh at these things, life might get so dark that living is no longer worth the effort. We laugh to survive.
Wednesday, August 24, 2011
What a Country!
Monday, July 04, 2011
Heading South to Humbolt Park on the Bike
Tuesday, June 21, 2011
Dave Brubeck and Sons on Fathers Day - Ravinia Festival, Highland Park IL
And as the patriarch and his sons ambled off stage, I found myself thinking about my own son, Ben. He is a successful educator now, living far from me. I miss him. I salute him.
Thursday, June 16, 2011
Father's Day

Human relationships can be puzzling. Why do we love or hate each other? Is it right to expect others to help you? What is one’s obligation to family members? To friends? To strangers that need assistance?
It may be best not to think too much about these questions. Maybe it is best to embrace the “Golden Rule” as an organizing principal and just take action. “Analysis leads to paralysis” as the saying goes. Or put another way, don’t ask “What is the meaning of life?” Ask “How should I live?”
Let’s consider fatherhood. I am a father – I have four children. They are all interesting individuals. I have intense emotions when I think about my children. I use the word “love” to describe those emotions, but that word has been over-used and trivialized. I can’t really come up with an alternative word or phrase that fits, however.
Let me describe a fatherhood experience.
On Father’s Day weekend each year, there is an art fair in my neighborhood. It is called “Custer’s Last Stand” because it is centered on the intersection of Custer and Main Street in Evanston IL. My youngest daughter (now age 15) loves Custer’s Last Stand. Last year, all of her friends were out of town during the weekend that the fair was scheduled. To her chagrin, I was the only available companion. So we walked to the event and perused the art stalls, the food stands and the music stages. After an hour or so of walking about, we bought ice cream cones and sat on a curb in the shade at the very south end of the fair area. As we ate our cones, about 8 people we knew wandered by and greeted us. Some were my friends, so I introduced them to my daughter. Some were my daughter’s friends, so she introduced them to me. It was a quietly marvelous time.
This might have been my best Father's Day, and no one bought me a tie.
Monday, June 13, 2011
Chicago Blues Fest Day Two

I left the Blues Fest on Friday feeling a little bummed. I went back Saturday, in spite of that. It has taken me a while to get my thoughts in order, but the quick summary is "I feel better now."
The weather was slightly better. Weather conditions matter a lot at these outdoor festivals, obviously. It is tough to get in a jolly, music-listening mood when the rain is coming down and the temps are low. And many folks stay away, which reduces the crowd count, which reduces the audience energy, which impacts the engagement of the performers. Bad weather kicks off a negative feedback loop at a blues festival.
By the time I hit Grant Park, the place was pretty full. There were many more young people in attendence yesterday - and they were dancing! This is a very good thing. I think its wrong for people to sit motionless while intensely rhythmic music is produced by highly engaged performers. I always feel like yelling "Get up offa that thing!"
While I heard several acts, I want to focus on just one set - Curtis Salgado, backed by Nick Moss and the Flip Tops.
Nick Moss is a torch-carrier. He is creeping up on 40 years of age, still a kid in the blues world. He started playing professionally around Chicago in his late teens, and he did his apprentice work with guys like Willie "Big Eyes" Smith and Jimmy Rogers before he launched his career as a band leader. I have been listening to Nick for years; he amazed me the first time I heard him and he keeps getting better. He has mastered the craft of playing the blues guitar, and now he is moved on to creating art with his ax. Nick plays harmonica, and he started his career as a bassist. Ain't no flies on this fella. He also has "blues presence" - he is a hairy bear of a man, and he does the "blues face" really well. For those of you that don't know, "blues face" is the series of grimaces and squints that a guitar god conjures up while wrapped in the passion of a solo. I view Nick as a rock-toned player - in the same zip code as Melvin Taylor, but a bit more traditional in his phrasing and ideas. He also doesn't unleash the "wall of sound" as often as some of the rock-oriented blues guitarists. Nick is a dynamite player.
Nick's band is full of fresh young talent. Travis Reed on keyboards is capably filling the chair held by the legendary Piano Willie O'Shawny. Nik Skilnik on bass and Patrick Seals on drums are tight in the pocket, playing with assuredness not often seen in 20-something musicians. And sitting in on rhythm guitar and vocals, Michael Ledbetter really filled out the band - he has the vocal chops to match up against Curtis Salgado, no small feat. Michael comes from the R&B/soul school - his range and control are impressive, he can handle the falsetto swoops and vocal glissandos that most singers can only dream about. He is young, too - 26 years old, I believe. Unlike some bands in Chicago, Nick Moss' band is an intergrated team.
Nick's wife, Kate, also sat in on a tune - she can shred on guitar! She is a little easer to look at than Nick. Kate is not just a supportive spouse; she is Nick's business partner, too.
I am not a good person to talk about Curtis Salgado because he is one of my idols and I go all "fan-boy" when I get started on him. He is one of the top blues harmonica guys on the planet (up there with Kim Wilson and Billy Branch), but he doesn't play that much harp on his records. He often won't touch a harmonica for an entire set during his live gigs. I think that is interesting - he views his main instrument as his voice; the harp plays a supporting role. Salgado's vocal performances are stunning. His phrasing, tone, range and delivery combine to grab the listener by the throat and the heart. His personal story, the near-death experience with liver cancer and the liver transplant, make his energy and power even more impressive. Curtis opened with a Jimmy Reed tune (You Don't have to Go) and followed with a Muddy Waters cover (Long Distance Call) He is one of the few singers on the planet that is capable of delivering Long Distance Call - other cover versions I have heard have generally been mediocre, embarrassing or both. He covered Magic Sam and Little Milton too. It was an amazing and moving performance. Nick and the Flip Tops were very locked in to what Curtis was doing - it was a great ensemble blues performance. And Curtis played some harmonica - and he killed. Curtis and Michael Ledbetter also sang an R&B duet - their voices blended beautifully.
I didn't make it to the Chicago Blues Fest on Sunday; I was convinced that there wasn't anything that I had to see that day. I stand by my earlier comment that the event was an anemic version of past Fests, but seeing Curtis Salgado with Nick Moss made it all worthwhile for me.
Saturday, June 11, 2011
Chicago Blues Fest Day One/Reality on the Street
It was a misty afternoon in Chicago on June 10. The cloud cover slid down to about the 20th story of the Aon Building near Grant Park. The temps were in the upper 50's, some festival attendees were wearing hoodies and windbreakers. It was disorienting - we experienced a 40-degree temperature drop in 28 hours earlier in the week and some people were still in their shorts and tank tops, shivering.I hate to say it but I will - this year's Blues Fest is a shadow of its former self. If you pick a year at random, say 1989, who was at the Fest? Buddy Guy, Dr. John, Junior Wells, Allen Toussaint, Kinsey Report, A.C. Reed, Jimmy Rogers, James Cotton, Solomon Burke, Irma Thomas and many more. Other stellar names from past Fests - Ray Charles, Bonnie Raitt, and B.B. King. In 2009, the Fest was cut from 4 to 3 days to save money. This year, there seems top be two fewer stages operating during the day. I think that the lame duck Daley Administration, the Chicago budget crisis and the retirement of Barry Dolins has led to a less ambitious festival. There was some great music happening yesterday at the fest, but there was less of it. Dolins ran the Blues Fest for 27 years and it will take a while for The Fest to re-set. And I guess that it is a good thing that more of the performers are local blues artists - This is the CHICAGO Blues Festival, after all. But the crowd was smaller and even older than usual. I fear at times that blues music is heading toward irrelevency, like Dixieland jazz, beloved by a small group of eccentric elderly people. This thought makes me feel gloomy.
So I heard my buddies Mark Wydra (guitar) and Harland Terson (bass) playing behind Sam Lay. Sam is a terrific guy and one of the best blues drummers in the history of the music. He played with Little Walter, Muddy Waters, Wille Dixon Howlin' Wolf and was the man who set the beat for the Paul Butterfield Blues Band. And of course, Sam Lay played on Bob Dylan's Highway 61 Revisited album back in the day. He didn't play the drums yesterday - he sat up front, sang and played the guitar. He is not a highly skilled guitarist. The band was very loosey-goosey and under-rehearsed. These are outstanding players, though, and the blues is a genre that can be great even if the band isn't tight. I chatted with Mr. Wydra after the set - he noted the scaled-back Fest vibe and seemed a bit glum. But we agreed on one thing - people still need to listen to the blues, but they just don't realize it. If the current economic environment and global mood had a soundtrack, it would consist of blues music, the music of lament.
I also caught the Sanctified Grumblers, a local trio of creative countirfied acoustic blues guys. Eric Noden is a heckuva player - guitar, banjo and vocals. Rick Sherry is always a hoot, playing harmonica, clarinet and washboard. Rick has one of the most interesting voices and vocal styles I have ever heard - he has a ferocious baritone that cuts through the clutter like an auctioneer.
Super Chikan was also booked for the fest this year. This guy is ubiquitous on the blues festival scene during the summer months; he is a road dog with tens of thousands of miles on his sneakers. He is skilled, and he is a crowd-pleaser with his home-made electric guitars and his wild-and-crazy demeanor.
I also caught a bit of the Kilborn Alley Blues Band, a group of young guys from Champaign IL. They were definitely worth hearing, and brought energy and passion to the little Windy City blues Society stage. Great to see some 20-somethings loving the music.
I left Grant Park when the mist turned to rain and headed west toward Ogilvie Transportation Center to catch the 7:35 train back home. There was a large young man standing in a doorway on an empty block of Jackson Street, trying to avoid the mist. He was begging, and not in a quiet voice. I glanced at him, and passed by. But then I turned back - there was something in his eyes, too much pain. I dug in my pocket for some small bills, shoved them in his cup while he thanked me. I asked him his name, he said "Brian, sir, and what is your name if I may ask?" I told him, and he turned his eyes skyward and said "Thank you, Father, for Chris. Thank you, Father, for Chris..." repeating the phrase over and over, mantra-like. Tears rolled down his cheeks. I told him to take it easy, good luck, and a couple of other banalities. I turned and fled. And I thought, "What the hell is going on?"
Monday, June 06, 2011
Remembering Lowell Fulson
A dozen years have passed since Lowell Fulson died and I am still digging into his work. I think that he ranks with the other major blues poets - Willie Dixon, Robert Johnson, Son House and the rest. I have memorized one of his lesser-known, later songs - "Thanks A Lot." This is one of those tunes that tells a perfectly formed story - in this case, it is the tale of a married man resisting the advances of an unmarried woman. This song has some terrific couplets - here is one I love; "My wife would not suspect because her trust in me is deep; But I would suffer anyway. My conscience would not let me sleep." Arnold Schwartznegger should have listened to this song every day.Lowell was born in Tulsa OK, allegedly on a Chocktaw Indian reservation. He claimed to be part Cherokee and part Chocktaw - it might be true. He learned to play the guitar and worked with Alger "Texas" Alexander when he was 18 years old in 1940. Lowell toured with the Texas bluesman until 1943 when he was drafted. After he got out of the service in 1945, he ended up in Oakland California. He started up his own band, which included some amazing cats - a young Ray Charles on piano, David "Fathead" Newman on sax and many others. Lowell began uncapping a string of classics in 1948 with "3 o'Clock Blues," a slow, sad tale about a wayward woman. This tune was B.B. King's first big hit.
Lowell's most famous tune is probably "Reconsider Baby," a mid-tempo blues with clever lyrics. This song has been covered by everyone - Elvis Presley, Eric Clapton, Joe Bonamassa and every singing blues guitar player in the world. Lowell had some other big songs ("Tramp," which is a favorite sample used by Ice Cube and many other hip hop artists), but none as huge as "Reconsider Baby."
Lowell Fulson played for over five decades, shutting down his act in 1997 when his health started to fade. He died in 1999; he was almost 78.
This is a guy that deserves to be celebrated - he was a soulful, funky dude that contirbuted a lot to contemporary music. He had a solid baritone voice and played terrific blues guitar. He was a huge influence on Ray Charles. Why isn't he famous, dammit?
Wednesday, May 18, 2011
Fidelity and Decency
Maybe it is just me, but it seems that the erosion of fidelity and decency in human relationships is accelerating. Hypocrisy is part of the human condition, of course, and every person generates some amount of hurt and disappointment for their loved ones, but recent events have been pretty startling. I have been shaking my head over the shenanigans of IMF chiefs and former California governors.Fidelity, faithfulness, loyalty, decency - these are the keys in all important human relationships, but especially in marital relationships. When you deeply trust another human and believe that they will keep their promises, it is easier to get through any challenges that you face in your life. Fidelity is a gift, but it is also self-serving. Keeping promises is a form of self-care, a path to gaining confidence in one's own character. Committing an act of betrayal leads to self-loathing and shame.
I have always felt that all good things start with promise-keeping. A person of character stands up and commits, and declares "I can and will do this." A person of character is easily-understood, and harbors no subterfuge or dark secrets. Individuals that fail to keep their promises eventually suffer losses. They might lose their relationships or their jobs; those bad events are preceeded by the loss of trustworthiness. To be betrayed by a deeply trusted person creates a wound that might never heal. An individual who has been betrayed finds it hard to trust anyone - the fear of more pain leads creates an unwillingness to take the risk and the heart can harden.
My mom used to say, "Behave like a gentleman." Gentlemen do not cheat on their wives or force themselves upon women. Gentlemen do not refuse to face their own misdeeds. Gentlemen consider the people involved, and act in their best interests. Gentlemen know that the "high road" is the easiest path, in the long run.
There are few gentlemen in politics and government these days.
Monday, May 16, 2011
Musicians I Love - Howard Johnson
I got to hang out and listen to the mellow tones of Will Baker, bass trombonist extraordinaire, on Sunday afternoon. He is a wickedly talented low brass youngblood; energy and technique to burn. Listening to him is very exciting for a retired bass bone man like me. After his recital, I asked him if he had ever heard of Howard Johnson; he had not. I understand; Howard is almost 70 years old and Will is under 25. But anyone who digs the low-register wind instruments should check out HoJo.Mr. Johnson started playing the baritone saxophone at the age of 13; he added the tuba when he was 14. He decided to focus on jazz, but not the traditional New Orleans trad jazz tuba stuff (not that there is anything wrong with that). HoJo wanted to front the band and play bebop on the big horn. He made the trek to New York when he was 22 years of age and was embraced by the late, great Charles Mingus. Howard soon became the go-to tubist/bari saxophonist in the Apple, playing with Hank Crawford, Archie Shepp and a host of others. Word began to leak out about his prowess; he was pulled to the west coast and played in more mainstream groups like the Buddy Rich Big Band. He also worked with Oliver Nelson, Carla Bley, Pharoah Sanders and a host of other modern jazz greats.
Howard also thought that the world needed a tuba ensemble, so he formed one, called Substructure, in 1968. This was the group that hooked up with the great bluesman, Taj Mahal, in the early 1970's. Taj toured nationally with the tuba choir as part of his back-up band (check out Taj Mahal's live album, "The Real Thing," recorded at Filmore West in San Francisco in 1971 - whoooeee! It still kills me). HoJo was a boundary-busting guy - jazz, R&B,, rock, blues, orchestral music all interested him. He even served as the leader of the Saturday Night Live band in the late 1970's.
Howard has kept the tuba ensemble concept alive. His current group is called "Gravity," and it is touring internationally. Gravity has released a couple of albums, and they are must-have records for low brass players.
So Will - I love the Lebedev Concerto for bass trombone, but check out Howard Johnson and Gravity playing "Big Alice." Whooooeeee!
Tuesday, May 10, 2011
Cornell Dupree - RIP

Just heard that Cornell Dupree passed a couple of days ago. This man was one of my earliest guitar heroes. That lick he lays down in King Curtis' Memphis Soul Stew is a classic funky, soulful statement - I listened to that tune over and over, just to hear that Cornell Dupree guitar break. "Four level tablespoons of boilin' Memphis guitar" is how King Curtis introduces Cornell's contribution to the tune. Wonderful.
Cornell played with everyone from Aretha Franklin to Paul Simon. His work was on over 2,500 tunes. He was a formidable guitar monster, but humble. He didn't over-play or grandstand. He was the ultimate session guitarist. Some of his licks are deeply imprinted in the national musical consciousness, but most folks never heard his name. Listen to his work on "Rainy Night in Georgia." Fantastic stuff.
Cornell was totally cool but not flashy. He was deeply talented and tasteful, but he was a committed sideman. His mission was to make the best music possible and he didn't care if he got little credit. He was in the public ear, but not the public eye.
Gonna miss that guy. Here is a MP3 of Memphis Soul Stew from YouTube. This is from the King Curtis "Live from Fillmore West" that I wore out when I was in high school. Enjoy it, and reflect on guitar greatness and the importance of sidemen.
Sunday, May 08, 2011
Eva Elizabeth Bloom Gillock - March 15, 1921 - July 24, 1993
It is Mother's Day. I am fortunate - I get to spend time with my wife and partner, Connie, who is one of the most dedicated mothers on the planet. I also get to see my daughter, who is in her third year of motherhood and has become a paragon of maternal virtue. But I wanted to write about my own mother today.I scanned this old photograph of Eva Bloom Gillock I keep on the desk in my home office. She must be in her 20's in this shot, and she looks gorgeous. My mom died in 1993 (before the advent of digital photography) and I don't have that many pictures of her - she was a bit camera-shy, especially in her later years. She also missed email, the Internet, YouTube, Facebook. blogging and Twitter. I can imagine her being delighted with instant communications and revolted by the loss of privacy caused by the 'net.
On the day my mother was born, a loaf of bread cost 10 cents. "Ain't We Got Fun" was one of the more popular songs of the year. Charlie Chaplain's "The Kid" was one of the top movies. The first live radio broadcast of a baseball game occurred in 1921 (the Pittsburgh Corsairs, aka Pirates, vs. the Philadelphia Phillies). Her childhood was so radically different from the experience of today's children - it is mindboggling, really.
My mom was born in a small town in western Pennsylvania called Curwensville, the third of four children and the only daughter in the brood. Her parents, Claude and Christine Bloom, had deep roots in the little town. Her family patriarch, William Bloom. was one of the first settlers around 1800 - before Curwensville was established. At least seven of my mother's ancestors fought on the Union side during the Civil War. Claude Bloom was a pillar of the community; he ran the general store during the Great Depression and allowed hard-pressed neighbors to buy food on credit, often followed by debt forgiveness. He later served as Justice of the Peace.
Eva Bloom Gillock was feisty. As a teenager, she hung out with the "rough crowd" and started smoking cigarettes at the age of 14. She went to college in the late 1930's/early 1940's - Grove City College, a small Christian school not far from Curwensville. Not many young women went to college at that time. She moved to Cleveland and worked as a foreman in a factory, filling in for the men that went off to fight in World War II. She told her father that she wanted to enlist in the U.S. Army. He laughed and told her that she was crazy. So, of course, she enlisted, serving in the Women's Army Corps in New Guinea and the Phillippines during the war. She met my father, Albert Gillock, at a USO dance. She was an active member of the Greatest Generation.
There are lots of other interesting details to her path through life, but I don't want to blather on too much. I need to say this - she was a tower of strength. My father, may he rest in peace, was not a tremendous financial success. Once I was born, the money became quite tight, so my mom went to work in one of the few professions that welcomed women in the early 1960's - teaching. Her paycheck allowed our family to live a modest and comfortable middle-class life in a working-class Northern California suburb. She had a significant impact on the lives of quite a few Baby Boomers who passed through her classroom at Garfield School in San Leandro.
Here are some "Eva-isms:" "If you can look me in the eye and tell me you did your very best, I will be happy with you." "There is no sense in crying about it - do something!" "Nobody likes a smart-aleck." "I quit smoking because I got sick of all the nagging." "We all have to die sometime."
Eva Bloom Gillock was faithful; she took her promises seriously. "In sickness and in health" was one promise she fulfilled. As my father's health faded, my mother became his caretaker. She ignored her own needs during that time - deferred her own medical care to attend to her husband. After he passed, she went to the doctor with some complaints. She had cancer, probably brought on by her decades of cigarette smoking. The cancer took her - a damned shame, because her cardio-vascular system was in great shape and her energy level was high. She would have celebrated her 90th birthday last March. If not for the cancer, I suspect that she would have made it.
If I have any good qualities, my mother put them there. If I have any steel in my backbone, she forged it. She gave me lots of love, but she also gave me the gift of high expectations. My biggest fear was ending up a disappointment to Eva Bloom Gillock.
As I think about my own career as a parent, my successes and challenges, I measure myself against her. I lack her consistency and firmness. I let things slide a lot. Fortunately, my kids have dealt with my sloppy parenting with grace and I am very proud of all four of them. I can see some of those feisty Eva Bloom Gillock qualities in each one of them. They are lucky to have that legacy, and so am I.
Happy Mother's Day. If you mom is alive, kiss her. If your mom is gone, reflect upon her life.
Tuesday, May 03, 2011
L.V. Banks, Bluesman - Rest in Peace
I heard that L.V. Banks passed away over the weekend. Tom Holland, one of the young guitarists L.V. nurtured, shared the sad news. I knew Mr. Banks and sat in with him a few times - he was very open to harmonica players, unlike many blues guitarists. L.V. was an old-school bluesman, and he almost made it to 80 years of age (a very long run for a blues dude). He came up with the "second generation" of Chicago blues artists - Buddy Guy, Eddie Clearwater, et al are part of L.V.'s generation. He had an eye for young talent - in addition to Tom Holland, L.V. brought Marty Sammon, Buddy Guy's keyboardist, into his circle. He also advised and guided Toronzo Cannon, a terrific "next generation" blues guitarist. L.V. never got rich and famous, but he laid down the straight-up blues for many decades. He was the real deal.I wrote about L.V. Banks back in December 2008. Here is a link to that entry.
I have some L.V. Banks tracks buried on my iPod somewhere. I will listen to them tonight, and drink a toast to one to the great, underappreciated South Side Chicago blues guitar slingers, Mr. L.V. Banks.
Monday, May 02, 2011
A Momentous Day, But I Want to Think About Music - Gary Valente, God's Trombonist
I listened to President Obama announce the killing of Osama Bin Laden last night. This is momentous and it was a necessary and just act of violence. I can't dance in the street over this, however. It seems like a time for reflection. Human history seems to be a cycle of the strong groups controlling weaker groups, then the weak figuring out how to strike back with brutality, and the strong reacting to that attack and so on and so on and so on. Will killing Bin Laden break the cycle or strenghthen it? I have a hard time thinking about this, to tell the truth.So I will think about music instead. Guess I am a coward.
When I am feeling troubled and I need to sooth my soul, I turn to Gary Valente, one of the world's greatest trombonists. He is passionate. He is skillful. And he is LOUD. Gary started playing with Carla Bley in the early 1980's and was featured on Carla's "Live!" album in 1982. His work on "The Lord is Listenin' to Ya. Hallelujah!" is stunning; I think of Gary as God's trombonist. This is the song I tee up when I feel the need for solace. Here is a link to a YouTube video of Gary's performance.
Gary is about 57 years old now. He is a big name in the NYC Latin jazz world. He still plays with Carla, I think. His trombone work grabs my heart. He helps me to remember that humans have outstanding qualities. We kill each other, and we create beautiful music for each other. I am trying to believe that the part of our souls that creates the music will eventually overcome the part of our souls that wants to kill.
Wednesday, April 27, 2011
Down the Great River Road (aka the Blues Highway) - Memphis and Cairo IL
I have been away from my blog for a few days. I often forget about the damn thing for a while, then try to resurrect it. Since I am working from my own leaky memory, I can forget what I was going to say if I wait too long. Since Memphis is such a rockin' place, I wanted to finish up the write up of my spring road trip.
We left New Madrid, exited the Missouri "boot heel" and crossed into Arkansas. We bumbled down the road until we hit Memphis. I have several impressions of this terrific river city:
Friday, April 22, 2011
Down the Great River Road (aka The Blues Highway) - Missouri

We crossed the border from Iowa into Missouri and I noticed some changes. Local accents lost some of the twang and picked up a bit of drawl. Preferred baseball headgear shifted from Chicago Cubs to St. Louis Cardinals. U.S. 61 was quite lovely in certain stretches of Missouri; we were often running right next to the Mississippi. And unusual roadside attractions did appear occassionally. The "Chopper War Memorial" is one such roadside attraction (see cell phone picture above). We passed through a very small town, and on our left was a late-1960's retired US Army helicopter on a strange pedestal. This old bird was the centerpiece of a lonely memorial to local service people that died in America's wars. We stopped and paid our respects; we were alone. There are a number war memorials like this along U.S.61 - generally neat and tidy, but devoid of visitors.
We pulled off the highway in Hannibal MO. Hannibal is best known as the boyhood home of Samuel Clemens (aka Mark Twain). The Adventures of Tom Sawyer and The Adventures of Huclkeberry Finn were set in and around Hannibal; there are several buildings that have been preserved as tourist sites - Becky Thatcher's house, the law offices of Mark Twain's father, etc. The downtown is jammed with Mark Twain-themed stores and restaurants. Hannibal prospers from all of the tourist revenue. The town is neat, but the tourist stuff gets a bit repetitive and tiresome. Hannibal had some other semi-famous residents, including Cliff Edwards, the voice on Jiminy Cricket in all the Disney Pinocchio cartoons.
From Hannibal, we barreled south to St. Louis where we spent the night. We went to the top of the Gateway Arch on the Mississippi (nice view, but not a good trip for claustrophobic folks). The downtown of St. Louis was deserted in the middle of a work day. According to the 2010 census, St. Louis lost over 8% of its population over the past 10 years. It is still a lovely city, but it feels vacant. We had lunch at Charlie Gitto's Downtown, a wonderful Italian place in an old building near Busch Stadium. This is a classic baseball hangout - lots of pictures of the local Cardinal heroes, televisions set to the game, and all the rest.
We left St. Louis and pointed ourselves south again on the Great River Road. We came to New Madrid (pronouned "new MAD -rid"), which is down in Missouri's "boot heel." There is a large loop in the river near New Madrid - usually called the "Kentucky Bend." The river runs north, then loops back down south. This is the section of the Mississippi that allegedly flowed backwards due to the impact of the great New Madrid earthquakes of late 1811-early 1812; those gigantic quakes rang church bells in Richmond VA. If a similar earthquake were to happen today on the New Madrid fault, Memphis would be trashed. We decided to pull off the highway and go into the town.
New Madrid's Main Street was the commercial center of the town. I use the past tense because the little downtown strip consists mainly of vacant storefronts now. There are no restaurants and few functioning retail stores. We stopped in at the "General Store" (really a convenience market) and chatted with the folks hanging around. I asked them what happened to the downtown businesses. A sad-eyed guy in coveralls said one word - "WalMart." New Madrid may have lost its struggle. We stopped in at the local museum, which had a surprisingly good collection of artifacts. We were the only visitors. Perhaps the town does better in the summer months.
We got back in the car and rolled south to Memphis - will tell that story tomorrow....
Wednesday, April 20, 2011
Down the Great River Road (aka the Blues Highway) - Quad Cities and Iowa

I loaded up the Volvo wagon with two teenagers, my lovely wife and the ratdog for an old-fashioned road trip vacation. We headed west from Chicago to the Quad Cities (Moline IL, Rock Island IL, Davenport IA and Bettendorf IA). These four towns hug both banks of the Mississippi. Our plan was to pick up Highway 61 in Iowa and head south. US 61 is called "The Great River Road" since it hugs the Mississippi for much of its length. It is also called "The Blues Highway" since it was the path out of the Mississippi Delta region travelled by the many blues musicians that headed north to Chicago after World War II. US 61 has been eclipsed by the major interstates nearby. The traffic levels on the historic road have dropped. It is a 2-lane highway in some stretches. It was perfect.
We spent our first night in Moline IL, home of Deere & Company (aka John Deere). Deere's profits doubled in the first quarter of 2011 (compared to the first quarter of 2010). Big Green made about $514MM (which is indeed Big Green). Lots of folks around the world want to buy a new Deere tractor, I guess. The farm economy is doing pretty well due to the spike in crop prices. Our pain is Deere's gain. Moline seems to be booming along with Deere & Co.; the tractor maker is the largest employer in the Quad Cities.
We stayed at the Stoney Creek Inn, located on the Illinois side of the mighty Mississippi. The hotel is owned by a regional chain that plays up the "Northwoods" motif - stone fireplaces, old wooden signs, moose heads, etc. The most remarkable part of the stay was the presence of the LPA Convention ("LPA" stands for "Little People's Association"). The hotel was full of dwarves and the people who love them. They were a fine group of folks, although dwarves like to party late into the evening, I learned. It was not a good place to sleep.
We also hit Davenport IA, a lovely town with a great art museum on the banks for the Mississippi (the Figge Art Museum, a sizable institution with a surprisingly large permanent collection of work by Mexican, Haitian and Midwestern artists). Unfortunately, the Figge is closed on Sunday so we could only admire the beautiful building, which was completed in August 2005. Davenport is also the home of the late, great Bix Beiderbecke. Along with Louis Armstrong, Bix transformed the role of the trumpet in popular/jazz music in the 1920's. Bix was a huge alcholic and died of the disease at the ripe old age of 28. The City of Davenport celebrates this native son every year with the Bix Biederbecke Memorial Jazz Festival.
We hit the local Quad City Botanical Center (where it was Pirate Day - I don't know why the pirates were being celebrated in a huge greenhouse next to the Mississippi River). After that odd experience, we headed south on US 61 to Burlington IA - home of the Lady Liberty facsimile pictured above. Burlington is also the home of Snake Alley, allegedly the "crookedest" street in the world (it looks like a smaller version of Lombard Street in San Francisco). There are some lovely old churches in Burlington (some are available for sale if you have a yearning to own a 19th century house of worship).
We continued down the Great River Road into Missouri.......I will tell that story tomorrow.
Sunday, March 20, 2011
From Hotel to Intermediate Care Facility

This is something I need to work on. Religious folks often say, "There but for the grace of God, goes me." This is a noble thought, but I can't embrace it. Belief in God's grace is similar to believing in a shaman's ability to beseech the spirits to send rain during a drought. These "faith" statements don't convince me - sorry about that.
It is always a challenge to stay mentally strong. Some folks are ill and can't tackle that challenge. I will work on developing empathy for my Albany Care neighbors...
Thursday, March 17, 2011
St. Patrick's Day, New York, 2011

Sunday, March 13, 2011
Michael Yeo Yew Heong
Michael was a highly competent executive. He had great intuition and strong cognitive skills. He was dependable and dedicated. His ability to solve problems impressed me. But all of those traits, though admirable, were not the aspects of Michael's personality that made him special.
Michael was kind.
Friday, March 04, 2011
Strangers on a Train
I am a regular Metra rider, ususally on inbound train #320 leaving my local stop at straight-up 8:00 AM, arriving Ogilvie Transportation Center in Chicago's Loop at 8:26AM. I was on it this morning, heading to the office for a Friday full of conference calls and persuasion. I usually read my paper or listen to the iPod, but today I decided to sit quietly and look around me. I concluded something - commuting is a very odd activity.Across the aisle from me is a man that I have noticed many times in the past. He is a tall, substantial guy, not overweight or anything, but solid. He could be 40 years old, or he could be 50. His face is unlined and his hair is thick and dark blonde. He always wears jeans and boots. In the winter, he wears a pullover sweater. In his hands, an iPhone or an iPad. The expression on his face never changes - he seems implacably calm.
To my right on the long bench is a clenched fist of a man, short and paunchy, in a pin-striped suit. His thinning hair glistens with some sort of styling gel. He has turned his back to me and pulled away to the far edge of the seat so he won't accidently catch my eye or brush his body against mine. His eyes are focused on the novel scrolling across his e-reader.
To my left is a mid-thirties blonde woman who pays close attention to her appearance. She is staring into a compact mirror, adjusting her lipstick. This process takes a surprisingly long time. She finally snaps the compact shut, slips it into a big-ass purse, sighs, leans back and closes her eyes.
Down the aisle comes the aging conductor, bellowing "Tickets!! Display all tickets!! Main Street, Rogers Park, Ravenswood tickets!!!" He is short and round. He has a gray beard quite similar to my own. His voice shatters the peace; his timbre is nasal and unpleasant; it makes my ears ring. It is incredibly irritating.
Every seat is filled and people are standing in the aisle by the time we reach our destination. The passengers generally don't converse with each other. They don't even acknowlege each other, although they have been riding in the same train car together for quite a while (sometimes for years). We can't greet each other by name, we don't introduce ourselves, we are physically close but emotionally distant.
The train stops with a jerk, the doors hiss open; we file out and rush to our high-rise offices. In eight or nine hours, we will reverse the direction of our travels and head back to our suburban bedrooms. Then we get up the next day and repeat the process. And the day after that, and the day after that, and so on until we lose our jobs or retire or die.
Doesn't this seem odd? What if someone broke into song? What if someone told the loud conductor to shut up? Would chaos ensue? Would the facade crumble?
Anyway, I should start winding down my day so I can catch......my train.
Monday, February 28, 2011
Persistence
I felt a twinge in my knee last night and when I woke up this morning, it was still there. I decided to skip my workout to let my knee settle down. The last day of February was a little rough in Chicago - the rain that fell overnight turned to ice when the temperatures dropped around 2 AM. My neighborhood was a huge skating rink. I left the house for my morning commute, moving gingerly and feeling grumpy.I made it to my local Metra stop and headed up the ice-covered, hazardous stairs. I looked up the stairs and saw a woman really struggling to climb to the top. She was of short stature, and it was clear that she was suffering from some sort of chronic condition - perhaps multiple sclerosis. She had a hard time lifting her feet to climb the stairs, and she was hauling herself up by pulling on the handrail. I offered to help her; she thanked me and asked me to carry her bag. She made it to the top of the stairs, we exchanged a few pleasantries and we headed off to face our futures.
I remembered that I have seen this woman a few times as I scurried to my train. She never caught my attention before. My busy-ness and self-involvement prevented me from truly seeing her. As I rode the train into work this morning, I felt awe and shame.
I was in awe of this woman's persistence. She is working while battling a condition that a non-afflicted person can't really understand. She was pushing through her infirmities to do what needed to be done. I think that she must be one of those exceptional people - a true optimist, who overcomes her challenges with hopefulness. Just an everyday hero, getting on with life.
And then I felt ashamed. I am one of the luckiest people on earth. It is deeply wrong for me not to feel gratitude and thankfulness every waking moment. A twinge in my knee and ice on the sidewalk - trivial matters!! I am not worthy to be the bag-carrier of the woman stuggling to climb the icy stairs. I owe her both an apology and thanks for opening my eyes to see past my own privileged existence.
Reggie Watts

I was ranting recently about the things that make me anxious; now I am going to talk about joy. Reggie Watts makes me feel joyful.
Just look at this guy! He has the wild hair going on, the multi-culti vibe, a hint of a smirk. When I look at him, I can't help but smile. He makes me glad to be part of the human race.
But his fun appearance is not the story. This fella is a towering talent. I first picked up on his mad musical skills when I ran into a Seattle band called "Maktub." (Digression: "Maktub" means "It is written" in Arabic). I heard Maktub's second album, "Kronos," in 2003 I think. I instantly became a fan, largely due to Reggie's awesome voice and improvisational abilities. He started doing stuff that didn't involve his Maktub bandmates, specifically solo excursions using a stereo digital multitack "loop" recorder. He decided to be his own band, using his voice to lay down percussion and "instrumental" tracks, then singing on top of those tracks. Check out one of his improvisations by clicking HERE. He also got into comedy and ultimately caught the attention of Conan O'Brien. Check out this piece that Reggie did for the Conan folks a while back.
So Reggie may be Bobby McFerrin's successor in the world of crazy vocalization. He may just be a very talented silly guy. I sure am glad to know about him.
Tuesday, February 15, 2011
Free-Floating Anxiety
Here are things that are making me anxious today:
1. Tigers: I saw a billboard today that reminded me that there are only 3,200 tigers left in the wild. That doesn't sound like very many, people. In the early part of the 20th century, there were over 100,000 tigers. Tigers were voted "World's Most Popular Animal" by the viewers of the Animal Planet cable station, narrowly beating out the dog. So the world's most popular animal is on the verge of going "bye-bye." This makes me ANXIOUS.
2. U.S. National Debt: The total debt issued by the U.S. Government is about $14.2 trillion and will hit $15 trillion later this year if Congress raises the debt ceiling (and they will). Oh. My. God. $15 trillion of debt outstanding is equal to $48,100 for every citizen in the U.S. Enough money to buy 36,855,036,855 tickets to see Lady Gaga perform! It is impossible to imagine this much money, and don't we have to pay it back? This makes me ANXIOUS.
3. Iran: The news is full of reports about the latest demonstrations in Tehran and the latest brutal crack-down by the Iranian government and their goons. It is heart-breaking. I have known a few Iranians, and they are very cool folks; they really should be living in freedom. I don't think that the success of the Egyptians in chasing Mubarek out of town will be duplicated in Iran in the immediate future - Iran is hard-core, they could care less about what the world thinks of them. Ahmadinejad is a very scary guy and he is backed by people that are even more extreme. Public executions seem to be a form of entertainment for the Iranian government. If Iran gets nuclear weapons, I think a nuclear exchange becomes pretty likely. This makes me ANXIOUS.
4. Black Ice: It has been 2 weeks since Chicago's big blizzard and all of our snow is melting as temps head above freezing. But it gets cold at night, causing the melted snow to re-freeze. On roads and sidewalks, the result can be invisible - "black ice." I slipped in my driveway when I stepped on some black ice and almost did a face-plant (managed to stay upright by flailing my arms around and grabbing the doorhandle of my car). Black ice makes me ANXIOUS.
5. Unemployment: I am among the fortunate folks that kept working through the recession. I know people that have not been so lucky. The official unemployment rate in the U.S. has been 9% or higher since April 2009. But the official unemployment rate is vastly understated. If you add "discouraged workers" (folks that want jobs but quit looking due to lousy prospects) and the underemployed (folks with part time jobs that want full-time jobs), the rate is at least 20%. Oh, and don't forget all those college grads that are working fast food jobs - they are underemployed, too. And the 55 year old former head of human resources for a mid-sized company that is working at Starbucks to get health benefits - he's underemployed, too. I am a father; two of my kids are working (Praise Be!) and two are still in school. I worry about their employment prospects. Real unemployment numbers make me ANXIOUS.
Well, that is enough free-floating anxiety for now. Have a nice day.
Tuesday, February 01, 2011
The Day Before Groundhog Day








